Years ago the Hasselblad camera company put out a series of photography pamphlets. While I had my Hasselblad I collected and studied the information contained in their pamphlets.
Recently I thumbed through one entitled “The Eye, The Camera, The Image”. Although meant for medium format film cameras it’s filled with information that is still appropriate for digital camera users.
I skimmed over topics like Using the focusing hood magnifier, Colour film and colour balance, Types of exposure measurement, and Double exposure and Polaroid film. All are interesting reads if one is concerned with photographic history, however, not practical or useful for those searching to be a better photographer in our modern digital age.
However the topic entitled “We see far to much” caught my attention, “The eye is our organ of sight. It’s lens has a focal length of about 17mm and covers a 150-degree vertical and 120 degree horizontal field; the binocular vision provided by our two eyes gives a 180-degree angular field. We seldom have any need for images encompassing so wide a field. The wealth of detail in such a field would be rendered small and insignificant when reduced to images formed in a camera when composing a photograph outdoors or elsewhere. We always need to crop our field of view.”
In my experience, most successful photographers want to “tighten up” on their composition, by that; I mean they only include those elements that add to the visual discussion of a photograph. Beginners are apt to aim with only the excitement of their subject in mind and don’t pay attention to other additional features captured by the sensor.
Photographers printing or posting their photos are surprised when they look and find a picture filled with irrelevant and disruptive items they wished they hadn’t included.
Hasselblad continues, “This elimination of irrelevance is vital. The trick often involves excluding most of what you see. Making a selection is a basic feature of all art, whether it is painting, drawing or photography. Art consists of picking out the most interesting, most illustrative, most instructive, the loveliest or most emotional components among a myriad of components in a subject.”
Photographers should train themselves to be specific with a subject, only showing the viewer what is important. How do we slow down to do this in an age of auto focus, auto aperture and rapid-fire shutter release? I have an easy answer – get a good tripod!
I know many photographers have never owned or used a tripod and some have only experienced rickety, inexpensive models. Using a sturdy, well-made tripod makes one slow down and pay attention to the subject in the viewfinder or LCD. In addition, the process of setting up the tripod and attaching a camera gives photographers time to think about the composition.
I agree with Hasselblad’s contention that “we see far to much” and need to eliminate irrelevant items in our compositions.
When an interesting subject is seen, stop the car and get out. Don’t be lazy and merely hunker down against the window and take the shot. Get that sturdy tripod out of the trunk; and as you do that think about, or “pre-visualize”, the photograph about to be made.
Set up the tripod, attach the camera and look through the viewfinder or LCD. I suggest making several shots starting from a narrow, limited view and zooming the lens out to a wide-angle view. That way there will be several choices for that picture.
To sum up, eliminate those elements inconsequential to the picture and compose for only those items important to the final photograph, not by looking at the subject and snapping away in a hurried fashion to include everything seen in the viewfinder or LCD, and take my advice, use a tripod.
These are my thoughts for this week. Contact me at www.enmanscamera.com or email@example.com. Stop by Enman’s Camera at 423 Tranquille Road in Kamloops.
I sell an interesting selection of used photographic equipment. And if you want an experienced photographer please call me at 250-371-3069.